Museum Essay

Judge, Stephanie Art 100 Museum probe and Online Museum Essay Bibliography William-Adolphe Bouguereau Biography. Bouguereau Biography. N. p. , n. d. Web. 01 Oct. 2012. . MFAH Top 100 Highlights 1 The senior Sister. MFAH Top 100 Highlights 1 The Elder Sister. N. p. , n. d. Web. 22 Sept. 2012. . Online Museum Essay William-Adolphe Bouguereau (1825-1905) The Elder Sister, 1869 Oil on canvas, 51 ? x 38 ? inches The Museum of ok Arts, HoustonOne of the finest French stratagemists of the 19th century thought of by m any is William Bouguereau. He was well known for his traditional academic style and depicted moving-picture shows in such a look where they would seem life like and unflawed taking away any imperfections. He was admired by the fuddled and known for painting portraits of others, in which he won human beingsy awards for. He also enjoyed painting portraits of his children. In Bouguereaus The Elder Sister he created a life like portrait of his daughter and son on c anvas in 1869. One thing that distinguished him from other trickists was his attendance to precise detail.It has been said that there were no other artists were as accredited that could create such beautiful paintings as him. When taking a enveloping(prenominal) look at this feature(a) painting The Elders Sister, it becomes evident why he is considered one of the finest 19th century artists. Bouguereaus The Elder Sister is a traditional oil painting on canvas that measures 51 ? x 38 ? inches. At premier(prenominal) glance the security guard will come across the overall soft contoured lines while looking at a span of young children, whom be surrounded by rural landscape into the vanishing promontory that meets the cloudy blue-grey sky in the horizon.The elements of analogous earth tones seen throughout the painting atomic number 18 accompanied by a few complimentary emblazonise seen on the childrens clothing which produce a great maven of calmness and ease. The pat ch as a whole is asymmetrically balance by a dark pigmented green bush in the unspoilt near corner which is placed beside the children. To the left of them is a small white-haired home that displays fine lines and geometric shapes that depicts organic tall green trees that incubate well above the house.The positive shape and focal point of the composition is the elder sister whom is sitting in the near distance on a rock, which is covered by abstract textures and shades of green rat that surround the whole landscape. Slouched a bit forward, one arm is lightly holding her sleeping infant sidekick while cradling his small soundbox as her other arm rests vertically over his legs onto her right knee as she gazes directly at the viewer with an intense st atomic number 18. The infant seems to be comfortable in her arms by the way he is laying. perceptibly the children ar exquisitely portrayed leaving no signs of any flaws.They are dressed in earth toned pristine clothing, whic h are motley with such delicacy and show great detail in the value. In the distance behind the space where the infants head lays a small pond below what seems to be grassy hills and mountains, these all appear smaller than the children which create depth and distance. Above the horizon towards the vanishing point shows a sky filled with darkened clouds combined with lighter ones that appear to incubate the top portion of the plane down to the waist of the girl. The way in which Bouguereau painted represents how passionate he was in depicting what he saw.The way the portrait is conveyed creates unity and keeps every element of the painting easy for the viewer to follow. One example would be the use of rhythm and repetition apply in the clouds. It is evident that he displayed complete control when creating the contoured and implied lines in the space. The overview of The Elder Sister is yet a timeless work of art and creates a perfected masterpiece of the quiet beauty of the child ren and the natural green hues of the landscape. The peaceful feeling that The Elder Sister recommends is something that one can take with them later on viewing this work of art.This is a painting that brings serenity and shows how siblings can disquiet for one another. It is showed in the way the sister is holding her infant brother in her arms giving him a sense of ease. Bouguereau obviously has a passion for painting his children and demonstrates it through the soft delicate details. http//www. mfah. org/art/100-highlights/Elder-Sister-Bouguereau/ In person Museum Paper OVER- MODELED SKULL 20th Century Vanuatu, Melanesia Different from any other art such as traditional arts are not actually created for any other reason other than phantasmal rituals or conceivably community functions.The OVER-MODELED SKULL is a dynamic piece of art from the twentieth century that caught my eye while I was at the Bowers Museum. This particular skull came from Vanuatu, Melanesia otherwise known a s marineia. It is an island in the South Pacific Ocean where only chiefs and men of high rank would be honored aft(prenominal) their passing. After a year of someone of this rank died, the modeled skull would be created by a skilled craftsman to resemble the departed man and then used in ceremonies and placed in their house.It is believed that the spiritual proponent would remain there for astir(predicate) twenty years. After observing this dust of material a few times over again, it is evident that this particular culture of Oceania takes pride in making such art and it is an cardinal part of their everyday life. This modeled skull was composed from vegetable matter, sap, pigment and the deceased mans skull. Upon walking into the exhibition that was called Spirits and Headhunters I came across a well lit glass display that housed this art miscellany.At first glance I felt quite intimidated and chilled by overall complex body part of the mask. The structure itself was bio morphic and oval shaped resembling that of human form. The hollowed oval eye that seemed like blackened tunnels were the focal point. The skull portrayed a long widened odorize was the most prominent form of the mans mettle which do it appear to be closed form. There is a space where the verbalize once was as if the man were to be half smiling. There are cracks in multiple places suggesting that this piece has been around for many years.Complimenting the search are three dull contrasting colors that the craftsman used which are orange, black and brown giving a form of balance. The orange takes up most of the forehead painted in an upside triangle form and continues down the center of the face. The black covers the other part of the forehead as well as the eyes and the rest of the face. Towards the side by the temples is the color brown where the paint tends to end. Laterally the view is the side of the painted face which extends back to the rounded back of the skull which I was not able to view.The best part of the skull towards the back appears to be marbled by different tones of beige. The structure itself seems hardened yet fragile. The craftsman that made this traditional work of art possible for spiritual reasons created a simple yet unique face from the skull. Though my first impression was a bit startling I came to appreciate what this OVER- MODELED SKULL was about and entails. Since this is a way of life for the masses of Oceania they would not look at this skull the same way others that were not ameliorate on their way of life cleverness.This fragile looking skull teaches us about one of the traditions of the Oceania people. After one of the high ranking men passed a modeled skull was to be made by a local craftsman to resemble him so the people could keep his spirit alive. There were ceremonies and rituals that were held for twenty years after the skull was remodeled. The skull was kept in the mans house and after twenty years was disposed o f because they thought the spirit couldnt survive longer than that. This shows how diverse the world is in art and how we might perceive what the meaning was intended to be. http//www. bowers. org/